The high school auditorium was packed that Sunday morning in 1937 with people from all over Sonoma county. Uniformed boy scouts ushered the last of the audience to their seats as an announcer hushed the audience. Promptly at 10:30, the speakers crackled to life with a recording of the Star-Spangled Banner.
Waiting at the microphone for the music to finish was a 67 year-old man. "Good morning, ladies and gentlemen. With the playing of the national anthem, station KSRO, voice of the Redwood Empire, takes the air for the first time." He continued with the required sign on announcement before ending: "This is Ernest Finley speaking and I now turn this fine new radio station over to the people of the Redwood Empire for their use and enjoyment."
Finley wasn't really handing over KSRO to the public, of course - he was the sole owner of the station as well as the two newspapers in town, the Santa Rosa Republican and the Press Democrat, where he was also editor and publisher. The papers would promote the station which would promote the papers. So cozy was this little media empire that the broadcasting studios were in the PD building on Mendocino Ave.
After an invocation by the rector of the Church of the Incarnation and playing a recording of religious music, the live program continued with 15-minute salutes to Marin county and seven communities in Sonoma. Usually the mayor said a few words which were followed by music from someone in that town - there had been talent contests over the previous weeks to choose the artists. Santa Rosa was represented by a singer and Walter Trembley, harmonica virtuoso; Cloverdale sent Glen Bonham, imitator.
There were other live performances that day woven between recorded music before the big dedicatory program at 3:00, where the mayor of San Francisco spoke and the KSRO orchestra performed, along with others. The hour long program closed with an audience singalong.
And that was pretty much the end of the first broadcast day, September 19, 1937. The station signed off at 6PM, having only a permit to operate from dawn to dusk. This was typical of little commercial stations all over the country; night hours were only for the high power clear channel stations that could sometimes be heard for a thousand miles. With its 250 watt (!) transmitter, KSRO reached from San Rafael to Ukiah - but came in as far away as Eureka and San Jose when conditions were ideal.
The rest of this article can be read at the SantaRosaHistory.com website. Because of recurring problems with the Blogger platform, I am no longer wasting my time formatting and posting complete articles here. I will continue to create stubs for the sake of continuity, but will be publishing full articles only at SantaRosaHistory.com.
- Jeff Elliott
Imagine if the Golden Gate Bridge was never built - engineering issues couldn't be solved, perhaps, or maybe there were insurmountable economic hurdles, or just not enough political will. What would Sonoma County be like today?
The only way to get here from San Francisco is by ferry, for starters, so Santa Rosa is a much smaller place. There was no population boom after World War Two; it's a rural county seat somewhat like Ukiah, and the courthouse is still in Courthouse Square because they patched up the mostly cosmetic damage from the 1957 earthquake instead of tearing it down. Stony Point Road is the Highway 101 bypass, its two lanes swelling to three at the stoplights where there is cross traffic and turn lanes. Tourists clog the Redwood Highway on weekends because the winery events, resorts, spas and casinos in the countryside make this a popular getaway destination for the rest of the Bay Area, while the weekly Press Democrat is always pushing for year-round motocross and horse racing at the fairgrounds in order to draw visitors downtown. "Sonoma County? Sure, it's a nice place to visit, but no, I..."
Building the Bridge was never a sure thing, but it wasn't because there was formidable opposition. Yes, there were efforts to slow or stop the project but it wasn't ongoing, popping up only when the project neared a funding or construction milestone. None or those challenges posed serious threats, but were more like pesky nuisances.
Yet when the project launched in 1923 it seemed delusional to believe it would ever pass beyond the blueprint stage. Not only were there some engineers who thought it was folly to attempt constructing the longest bridge of its kind at that particular place, but its promoters had to run an incredibly complex political gauntlet, convincing Washington and Sacramento to back it enthusiastically - all before doing the basic studies which would prove the concept was viable. And even after construction began in January 1933, a retired geologist made a splash by predicting the south end could never be made stable, requiring months of further testing to prove him wrong.
All in all, it took almost 20 years to get to ribbon-cutting day. This is not the place to tell that whole story; the Golden Gate Bridge District has history pages for further details on the critical years of 1928 and 1930 (although some of the information on bridge opponents is wrong). A version of the original 1916 article proposing the idea is transcribed below.
Local folks probably know that the key part of the origin story concerns doings in Sonoma County by two men: Frank Doyle, president of the Exchange Bank as well as the Santa Rosa Chamber of Commerce, and Press Democrat editor/publisher Ernest Finley. Although Doyle modestly said he was "just one of the hundreds who helped to put the bridge over," he always will be remembered for kicking the project off by organizing the January 13, 1923 conference in Santa Rosa which brought together over 250 bankers, business leaders and politicians, which earned him his spot standing next to the governor and the mayor of San Francisco when the bridge was officially opened. Finley was the indefatigable champion for the cause, turning the Press Democrat into a soapbox for promoting funding and construction, cheering every nugget of good news and booing every bit of bad.
After Finley's death in 1942, however, the story shifted; it was said the newspaper suffered by losing subscribers because of its bridge advocacy and Finley was a warrior editor battling powerful railroad, logging and farm special interests opposed to the bridge. This version has taken root over the years in the PD and elsewhere; here's the version from the Media Museum of Northern California: "...In this particular crusade, which spanned at least two decades, Finley stood almost alone...he was opposed by nearly everyone. His business suffered as he lost advertising accounts and subscriptions. But he continued the campaign, insisting, 'Damn the circulation! The bridge must be built!'” That's now his legacy quote although it's probably apocryphal.1
The problem with that narrative is it's not really true.
The rest of this article can be read at the SantaRosaHistory.com website. Because of recurring problems with the Blogger platform, I am no longer wasting my time formatting and posting complete articles here. I will continue to create stubs for the sake of continuity, but will be publishing full articles only at SantaRosaHistory.com.
- Jeff Elliott
In Santa Rosa during the 1930s and under twelve? If so, then you were at the California Theater every Saturday at 12:30 for the pandemonium known as the Mickey Mouse Club.
A quarter century before the Mouseketeers donned their plastic ears and gleamed sparkling smiles on our TV screens, hundreds of movie houses nationwide were filled to capacity with small children on Saturday afternoons. They would watch a movie and some cartoons, but mainly they would sing and yell. They would get to yell a lot - pause for a moment and imagine being in a theater with around a thousand kids, all their little volume knobs cranked up to 11. Maybe 12.
Gentle (and cynical) Reader might presume this was a marketing ploy by the Disney Empire to exploit our children, but the company actually had a light hand in its doings. According to an article on the Mickey Mouse Club origins by unofficial Disney historian Jim Korkis, a movie theater owner seeking to boost attendance broached the idea to Disney in 1929. It proved such a hit Disney Studios hired the guy to create a network of licensed theaters across the country. At its peak, there were over 800 clubs and over a million card-carrying Mousers.
For 25 bucks a year, participating theaters received a manual and a bimonthly newsletter with promo ideas. Disney also sold theaters all sorts of Mickey Mouse Club swag at (or near) cost; buttons, masks, custom membership cards and posters and for $16.50 a theater could own the official club cartoon, "Minnie's Yoo Hoo," a sing-a-long with Walt Disney himself providing Mickey's voice (spoiler alert: The tune is pretty catchy and Walt's voice is pretty creepy).
Theater owners found they had a ready audience; In November 1931, the Press Democrat ran a small "coming soon" notice and "[California Theater] Manager Gurnette is already being besieged by a small army of youngsters wanted to know all about the Mickey Mouse club - what it is, what it means, and for the boys and girls who join, etc."
Disney also encouraged theaters to partner with local retail businesses. In exchange for donating contest prizes and other goods (historian Korkis says local bakeries would donate a free cake to be shared by club members with a recent birthday and florists sent flowers to sick ones) the merchant would display a window card announcing it was an "Official Mickey Mouse Store."
In Santa Rosa, Rosenberg's department store was the only place boys and girls could get their free membership card. Before the theater club debut, Rosenberg's took out two half-page ads in the PD promoting the first club meeting, promising Santa Claus would greet the kids at the theater and then take up residence at "Toyland" on the store's mezzanine.
A reported 1,500 children packed the California Theater on Nov. 21 for that first gathering, which was free for any child who had filled out the membership form (admission thereafter was 5¢ for anyone wearing the official club button). Petaluma followed suit three months later with a club at the California Theater in their own town.
The shows could fill the entire afternoon with a mixture of films and live doings on stage. An American flag would be brought out and everyone would sing a verse of "America." They would recite the Mickey Creed: "I will be a squareshooter in my home, in school, on the playgrounds, wherever I may be. I will be truthful and honorable and strive always to make myself a better and more useful little citizen. I will respect my elders and help the aged, the helpless and children smaller than myself. In short, I will be a good American."
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| Press Democrat, November 20, 1931 |
Everybody would join in for five or six "peppy songs and yells" which usually started with "Hail, Hail, the Gang's All Here" and ended with "Happy Days are Here Again." There would be a new cartoon and a chapter from a serial which was most often a western, although they also watched "The Lost Special" starring Santa Rosa football hero Ernie Nevers. Once at Petaluma there was a "Backwards Party" where a cartoon was shown in reverse "those who have seen this novelty claim that it is extremely funny and some of the craziest noises are heard."
Every week there would be also shown a short feature movie approved by the California PTA. The first approved film shown here was an Amos 'n' Andy comedy - which is to say it starred two middle-age white men in blackface.
In the mix were also contests, drawings, "stage stunts," musical and dance performances by other kids and everything wrapped up with Minnie's Yoo Hoo.
In less than three years, the Mickey Mouse Clubs had become as large as the Boy Scouts and Girl Scouts combined. What caused this explosive growth? Certainly a part of it was Mickey Mouse mania; kids couldn't get enough of Mickey and Minnie but aside from crude handmade stuffed dolls, there were no toys, games, or other Mouse stuff to buy until Christmas 1932. Let me restate that again, in italics, so it really sinks in: For four years, the Walt Disney company owned the most popular cartoon character in the world but had no idea how to merchandise it. Tempora mutantur.
The other appeal of the Clubs was probably that they were not rigidly organized like the scouts - it was more like the lodges and social clubs that most parents belonged to. The children elected their own officers, among them a Chief Mickey and Minnie Mouse, a Master of Ceremonies, a Yell Leader and others. (The 1932 Santa Rosa lineup is found below in a footnote, which will probably give some genealogist a case of the vapors.)* Although there were adults involved it was more like boys and girls were putting on the show themselves and not unlike what we saw in the "Our Gang" shorts, with adorable tap dancing girls and Alfafa's unfortunate warbling.
Both the Press Democrat and Argus-Courier would occasionally describe programs. In Santa Rosa, Esther Walker's downtown "School of the Dance" usually had students as young as five performing and George Trombley (founder of the Santa Rosa Symphony) would bring up one of his music pupils for a solo. Trombley also formed the Mickey Mouse Orchestra with apparently any child who could read music, and the ensemble varied between 25-40 members. In Petaluma the grownups involved were "Kathleen Budd's Kiddies" (she was a high school student who taught dance) and Percy Stebbing at the pipe organ.
The contests were traditional birthday party fare except the audience got to cheer for the contestants. There were races with silly handicaps such as rolling a metal pie plate across the stage. There were competitions for the best harmonica player and the best Hallowe'en costume. There were games to see who could accurately drop the most beans in a milk bottle ("from the looks of the stage, not very many hit the bottle"), eat a bowl of ice cream the fastest, whistle with a dry mouth ("everybody gets a big laugh out of seeing the boys and girls spray cracker crumbs when they try to whistle") or chew the biggest jawbreaker (maybe that's where Dr. Henry Heimlich, who was young enough to be a Mouser at the time, got his inspiration).
Roller skates were the most common prizes given out each week, probably also courtesy Rosenberg's. There were also drawings for more valued items such as electric train sets and bicycles.
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| Tommy Ware with the bicycle won in a Mickey Mouse Club drawing. Photo at his home in Santa Rosa, July 13, 1933 and courtesy Sonoma County Library |
The peak for both Santa Rosa and Petaluma clubs came at their one-year mark during the winter of 1932/1933. In Santa Rosa there was a special matinee at Thanksgiving and Christmas ("be sure to remind Mother that the place to leave you is at the New California theater while she does her last minute Christmas shopping") followed by "Mickey's Revue" at 9PM - a variety show put on by the kids with the Mickey Mouse Orchestra.
Petaluma saw 900 kids at their first anniversary, but they had really turned out a few months earlier for the special Friday morning show before Christmas in 1932. Members of the orchestra from Santa Rosa were guest performers and 1,200 children descended on the theater, some squeezed in two to a seat. The Argus-Courier reported there were policemen and firemen on duty; "a few kiddies in the gallery started throwing hats to the orchestra floor and there were several other actions that the police had to curb" and there was a precautionary firehose attached to the nearest hydrant with a fire engine standing by.
The Petaluma club sputtered out by late 1933, as did many of the clubs around the country. Disney would no longer license new clubs and stopped underwriting membership materials. The company did not foresee there would be blowback from non-club theaters in the same community. Later a Disney representative explained to a theater owner "...We ran into all kinds of difficulties and controversies over the Clubs and finally decided to do away with any connection with them. A great many theaters are still running such clubs, but they are doing so entirely on their own, and without help or references from us."
What happened in Santa Rosa is less clear. The California Theater had long interchangeably advertised the Mickey Mouse Club and a Mickey Mouse Matinee for Saturday afternoons, and in the middle of 1933 the club was no longer mentioned specifically. The Mickey Mouse Matinee continued into 1935 when it became the Popeye Matinee, that being the year when the muttering sailor eclipsed the squeaky rodent in popularity.
It's unknown whether the onstage activities and audience participation continued here after 1933, although they probably did - because the Mickey Mouse Club was resurrected by name in 1937, both at the California Theater and as a radio show on KSRO.
This is not the place to extol the glories of KSRO in that era, except to say it was truly community radio. Everything heard at 1310 on your dial was locally produced live - from the "Man on the Street" interviews to "Italian News with Joe Comelli" to "KSROlling Along" to the "Redwood Empire Quizzing 'B.'" The bulk of the airtime was music on records, but there were hours of talk and interview shows every day. Anyone who had something to say or could play an instrument could find a few moments of AM radio fame. If there were kids performing at a downtown theater it was only natural they'd be invited to KSRO.
The 30-minute show aired Fridays at 4:00 and was sometimes sponsored by the Sonomaco Ice Cream Company. There were often contests (where the prize was an ice cream brick) and George Trombley sometimes conducted a juvenile orchestra. Performers were rarely mentioned, although "Three Fiddling Bobs" and Healdsburg ventriloquist Charley Perry with "Dummy Dan" seemed to be popular regulars.
The Press Democrat promoted KSRO with a daily column so it's a bit surprising that more wasn't written about the program. What did appear were stories about the kids pissing off station management:
| Perhaps I shouldn't mention it, but yesterday about a quarter to three the Big Boss of KSRO, himself [presumably Ernest Finley] stepped into the studio and saw the gang of youngsters assembled. I guess it was the first time he had ever seen the Mickey Mouse Club performance... anyhow, the sight of children draped all over the furniture for lack of chairs may be the means of another load of chairs being added to the studio. |
A month later, the station manager found "about 100 kiddies making rough-house around the place" and threatened to not broadcast the show unless the children arrived only a half-hour before the show and sat quietly until air time. ("Boy! Was he burned up!") Apparently the gang headed for the station as soon as school was over at noon, and hung out in the studio for the four hours before the show to ensure they'd be on it.
The California dropped the children's matinee in 1938, and KSRO announced it was reorganizing the club itself, with a membership application form printed in the PD. The Mickey Mouse Club was cut to a 15 minute program in 1939 and then cancelled two weeks later. There were 1946 plans to revive the club at the California Theater but nothing came of it.
Today the 1930s Mickey Mouse Club is lost history - even the Disney Corporation, which venerates its mousy past, says little to nothing about the club. But it was celebrated by an enormous number of children in the early '30s, and I'll bet there still would be more than a few smiles of recognition at any large senior center or retirement home upon hearing the unforgettable chorus of Minnie's Yoo Hoo.
| * 1932 Mickey Mouse Club officers for Santa Rosa: Chief Mickey Mouse (Bob Quarry), Chief Minnie Mouse (Nancy Hesse), Master of Ceremonies (Charles O'Bear), Sergeants-at-Arms (Evelyn Henshaw and Bonnie Jean Harbald), Yell Leader (Bobby Vulkerts), Color Bearer (Wallace Constable) and Courier (Bruce Karn). |
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| Undated photograph and location unknown |